The National Museum of Organized Crime and Law Enforcement—aka The Mob Museum—has an array of exhibits within its three-story confines. Films, floor-to-ceiling images, interactive features and multimedia historical re-enactments detail the evolution of the underworld and law enforcement’s efforts to combat syndicated criminals. Hollywood’s depictions of gangsters and mob culture are an integral part of the collection, with a glassed-in display containing movie props, costuming and couture concluding the tour before the exit. That display now has new items that make the HBO series Boardwalk Empire part of the exhibition, as well as add to the museum’s existing tribute to The Sopranos.

Past visitors to the Mob Museum may remember seeing the film projector from Bugsy, with which Warren Beatty as the title character watched his own screen tests. An animatronic figure designed to resemble Joe Pesci may surprise fans of Casino who would have never guessed a “double” was used during the scene in which Nicky Santoro is buried alive. Costumes worn by James Gandolfini’s Tony Soprano and Steve Buscemi’s Tony Blundetto in The Sopranos are visually prominent, but both the series and Buscemi now get more nods for their contributions with the new exhibit items.

Buscemi’s “Nucky” Thompson, the de facto crime lord of Atlantic City’s Boardwalk Empire, is represented with a three-piece ”death suit” worn in the series’ finale, “Eldorado.” A conspicuous bullet hole interrupts the pinstripe pattern beneath the right lapel of the outfit, and may serve as sort of a spoiler for fans who have not watched the full fifth season.

It’s arguably the most significant fashion statement of the iconic series, which had its Prohibition-era suits designed by presidential tailor Martin Greenfield (who clothed Barack Obama, Bill Clinton and Gerald Ford).

It also gives a sense of Buscemi’s height and suit size, if not the actual measurements of the figure that Boardwalk Empire’s central character was based on. Enoch L. “Nucky” Johnson was the boss of Atlantic City’s political machine and bootlegging rackets for three decades in the early 20th century. In 1925, Johnson sponsored a culinary contest won by the chef at Atlantic City’s Breakers Hotel, and a large silver cup (“won by Omer Bondoux” as the engraving indicates) with ornate handles and rim now sits in its own case next to the larger wall display. It’s an authentic artifact that helps connect the dots between history and Boardwalk Empire’s fictionalized dramatization.

While that show raised the bar for crime story productions, it might not have been possible were it not for the success of The Sopranos. The Jersey Mafia clan is already represented with costumes and space on the “Made Men and Molls of the Movies” wall display, but now the character of Paulie Walnuts gets more respect. A tracksuit worn by actor Tony Sirico in episode four of season six is now included with the Mob Museum’s nods to Bugsy, Nicky, Nucky and Paulie’s boss, Tony Soprano. Won at auction along with the other new items, it was an offer The Mob Museum couldn’t refuse.

300 Stewart Ave., 10 a.m.-7 p.m. daily, $21.95 adults 18+, $13.95 ages 11-17 and Nevada residents, starting at $30 for Mob Museum and Neon Museum package. 702.229.2734